The art of fashion
Irene from London Zennaro
Got a passion for fashion? Then you can not miss the exhibition " The Golden Age of Couture: Paris and London 1947-1957 " all ' Victoria and Albert Museum in London until January 6.
The exhibition celebrates a decade of gold, a decade that has revolutionized the fashion and the representation of femininity after long years of the Second World War.
After the devastation of the war and Nazi occupation, the Parisian couturier gave birth to the "Theatre de la Mode," a traveling exhibition on mannequins couture creations made by artists such as Christian Bérard and Jean Couctou. The "Theatre de la Mode" presented the creations of French fashion in the Scandinavian countries, England and the United States by collecting donations for victims of war.
In 1947 he invented the Dior New Look, which had the same effect of the Roosevelt New Deal wardrobes of women around the world. The collection was the antithesis of masculine models imposed by the war, soft materials that followed the sinuous lines of the body and enhances their shapes, tube skirts and bare arms.
In the cases of exposure after another so authentic works of art sartorial lines tulip highlighting the breast, embroidered evening gowns so opulent as to require six hundred hours of work, suits the thin line arrow shape making it the most desirable spotless mother.
In the halls of 'A & V leaders of Dior, Balenciaga and Givenchy tell the revolution of style and costume, which makes the luxury brand and fashion comeback to be one for which it was born: a dream game, truth, disguise and more.
What it feels out in the cold in London after a trip to the rarefied atmosphere and gold is a sort of nostalgia for a time when everyone dressed like the stars of Hollywood and all the women were the stars of a film by Cukor.
Whether hardened fashionistas or angels of the hearth, the exhibition is a must, a true glorification of the female figure, with a sensuality without making slits and plunging necklines gynecological woman a goddess of his time.
The exhibition celebrates a decade of gold, a decade that has revolutionized the fashion and the representation of femininity after long years of the Second World War.
After the devastation of the war and Nazi occupation, the Parisian couturier gave birth to the "Theatre de la Mode," a traveling exhibition on mannequins couture creations made by artists such as Christian Bérard and Jean Couctou. The "Theatre de la Mode" presented the creations of French fashion in the Scandinavian countries, England and the United States by collecting donations for victims of war.
In 1947 he invented the Dior New Look, which had the same effect of the Roosevelt New Deal wardrobes of women around the world. The collection was the antithesis of masculine models imposed by the war, soft materials that followed the sinuous lines of the body and enhances their shapes, tube skirts and bare arms.
In the cases of exposure after another so authentic works of art sartorial lines tulip highlighting the breast, embroidered evening gowns so opulent as to require six hundred hours of work, suits the thin line arrow shape making it the most desirable spotless mother.
In the halls of 'A & V leaders of Dior, Balenciaga and Givenchy tell the revolution of style and costume, which makes the luxury brand and fashion comeback to be one for which it was born: a dream game, truth, disguise and more.
What it feels out in the cold in London after a trip to the rarefied atmosphere and gold is a sort of nostalgia for a time when everyone dressed like the stars of Hollywood and all the women were the stars of a film by Cukor.
Whether hardened fashionistas or angels of the hearth, the exhibition is a must, a true glorification of the female figure, with a sensuality without making slits and plunging necklines gynecological woman a goddess of his time.
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